In Richard Alston's en-lightening pre-performance talk, he explained his concept of unifying the arts of dance, music, costuming and lighting. The pre-eminence of his company is proof he is a master craftsman.

Shimmer was a magical creation danced to some of Ravel's beautiful, early piano music, played live by Jason Ridgway as an integral part of the performance. Knitted gossamer web-like costumes sprinkled with crystals were caught in soft pools of light, as a septet of dancers wound romantically with one another.

The Malvern audience was fortunate to see the world premiere of New Ground.

In this, two male dancers in white interpreted Romanian Folk Song arranged for two violins. Pink lighting on a dark blue ground was the backdrop for stark movements, frequently reflections of the other dancer.

Charge, choreographed by Martin Lawrence, was performed to minimalist music by Steve Reich from Electric Guitar Phase (1967 - 2001). This was an amazingly theatrical piece inspired by constant repetition of a short sharp phrase. Dancers in black repeated jagged actions copying the music, which intensified frenetically into a tremendous physical force. Then, a sudden finish as the stage was blacked out.

CD Electric Gypsyland supplied the music for Gypsy Mixture. Performers, dressed in a colourful mix of patterned fabrics, danced in spectacular jumps and twists. Layered with influences of gypsy music, moods changed from snazzy duets and exhilarating solos, to sultry, provocative moments.

The brilliance of the company was appreciated fully by a large audience, which pleasingly included many young people.

Jill Hopkins