John Wilderspin gave his time and expertise freely and generously for this Jubilee celebration organ recital, with all proceeds going to the church building fund.

The choice of music was English, apart from the opening Toccata & Fugue in E by German composer J L Klebs. In the toccata John's pedalling ability was paramount in the pedal subject, repeated frequently, and becoming increasingly more highly decorated.

Parry's two chorale preludes, Old 104th and St Ann, contrasted and suited the West Malvern instrument particularly well. The first was given a firm rhythm and melodic line, crescendoing through the organ, while the second flowed freely until it climaxed into mighty chords, pre-empting a florid passage and closing cadence.

Elgar's strength and dignity were brought to bear in his Imperial March. The quieter middle section swelled as John approached a regal conclusion.

Ireland's Miniature Suite for Organ was performed very effectively, by using softer stops mainly. Innocence and simplicity of melody were the essence.

A romantic interpretation of Rhapsody No.1 by Herbert Howells was imbued with beautiful descending scale passages and unpredictable, exquisite harmonies.

The contemporary Rhapsody for Organ by Ian Venables (written for John), was played eloquently; the clarinet stop's inflection of the theme, shimmering chords, and a continually repeating pedal bass, were perceived clearly.

Full trumpets blared for William Walton's Crown Imperial, bringing the concert to an elated, celebratory finale.

On Wednesday, June 5 at 7.30pm, distinguished Australian tenor Christopher Lincoln will be making a welcome return visit to St James's Church, in a recital of well-loved songs and arias.

Jill Hopkins