The expectation of a recital by the Tallis Scholars singing 16th and 17th Century music, directed by Peter Phillips, is very great, and the ten singers of the ensemble never wavered from this standard for a moment. The acoustic in Worcester Cathedral intensified the unqualified beauty of their a cappella singing in what proved to be a wonderful exhibition of near perfection.

Gregorio Alleggri's Miserere for double choir, one placed for maximum effect at the opposite end of the cathedral, was the central work. The accuracy of harmonic tuning was extraordinarily fine and the recurring high soprano decoration with top C's of crystal clarity were achieved every time superlatively. One may never hear as superb a live performance again.

Loquebantur variis linguis by Tallis was a texture of rich polyphony and suggestion of speaking in 'many tongues', with phrases closed elegantly, and Robert White's Lamentations was controlled with admirable restraint, the soprano singing above the choir of the purest tone. The last word 'tuum' evoked amazing emotion.

Byrd's Victimae paschali was imbued with gentleness in its dotted rhythm at Surrexit Christus spes mea, while the same composer's Vigilate contrasted with a more vigorous style.

The harmonic Remember not, Lord, and brilliant counterpoint in O Lord God of Hosts, both composed by Purcell, and several pieces by Palestrina, concluding with the glorious sounds of his Magnificat for double choir, ended this recital of supreme excellence, which Radio 3 will broadcast on September 5 at 4pm.

Jill Hopkins