Anyone who thinks that jazz is for beatniks and dads in cardigans should slap themselves liberally around the face and just listen to the Courtney Pine Group.
The London saxophonist attacked his music, improvising with such ferocity that a large proportion of the audience was initially baffled. This was not just music, this was an extreme sport, a feat of human endurance, and spectacular to hear and watch.
Demonstrating extraordinary control and prowess, he proceeded to push his sax to its limits with incredibly fast-running passages, jumping from the lowest bass notes to high trills, while bouncing around the stage.
Courtney Pine and his group have not just taken jazz to another level, they've fired it through the roof.
Absorbing influences from hip-hop, garage, reggae, and at some points perhaps even hard rock, the group thrilled the audience after its initial assault on the senses.
What began as a dignified seated ensemble of enthusiasts was by the end of the night people dancing, cheering, waving and having the time of their lives.
Particular mention must go to trombonist Dennis Rollins, guitarist Cameron Pierre and bassist Peter Martin, whose monumental display of slap produced a roar of approval from the crowd.
Phill Tromans
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